I love the Biennale de Arte, Venezia.  Each Biennale seems to consider the state of the world, presenting

By Nancy Nesvet

The title, “In Minor Keys” refers to the key that plays lightly underscoring the major and stronger…

By Elga Wimmer

This year’s 61st edition of Biennale de Venezia got off to a shaky start. There were several issues. First, losing…

By Mark Bloch

John Zieman uses the word “lensing” as a verb, as opposed to “shooting” his video works, signifying…

By Elga Wimmer

Katya’s Ghosts, a solo exhibition by Katya Leonovich of watercolors, agua fortis etchings, and a multimedia installation…

By Jorge M. Benítez

At the same time that American sociopolitical exceptionalism is proving to be false, a mostly American…

By Richard Humann

A full generation before Odysseus there was Jason. According to Appolonius of Rhodes, writing about it in the 3rd century BC…

By Elaine A. King

Against a backdrop of global conflict, urban violence, rising dictators and the surging influence of AI, the Bellmer Nauman Pondick exhibition arrives…

By Nancy Nesvet

In this issue, we continue to cover protest by arts practitioners and the general outraged public, including music and lyrics…

Does protest music have to be written with protest as an intention, or does context matter? A phenomenon…

By Cameron Gobermann

The discovery and love for protest music and art started for me in 2020. After Covid-19 hit the world…

Someone to crowd you with love

Someone to force you to care

Someone to make you come…

By Richard Humann

“My instructor was Mr. Langley, and he taught me to sing a song. If you’d like to hear it, I can sing it for you…

By Lanita Brooks-Colbrt

MIT postdoctoral researcher Ziv Epstein, SM ’19, PhD’23, addresses issues arising from the use of generative artificial intelligence in art…

By Jorge M. Benitez

Modernism and its aftermath eclipsed the old debate between the followers of Rubens and those of Poussin. Gerald McEachern…

By Nancy Nesvet

Humanity was front and center, in the crowds, protests, pavilions and collateral and unofficial…

Nancy Nesvet

Graffiti, must be exhibited where the most people can best view it.  That is why it was originally…

By Lanita Brooks-Colbert

Across the ages, art has been a rallying cry for protest, surfacing wherever people have yearned for change. Some works have sparked new freedoms, while others…

By Pāg Black

Four of my assemblage works were installed at the Sagamore Hotel for Miami Art Week.  While I was hosting a supporter of my foundation and his son, I observed a…

By Ekaterina Sky

For much of my life as an artist, my work has centered on animals, particularly endangered species and the fragile ecosystems…